Skip to main content

I drive the Audi R8 V10.

Here is a video from a very recent shoot for Wiel Magazine, where we shot the Audi R8. This is a car using Lamborghini technology, engine etc and is R2000 000 cash and it is fast and it is cool and I drove it. Now you can turn green and yellow. If the video doesn't load automatically (like if you're subscribed to the RSS feed), then click on the link supplied to see me drive a 0-100km/h in 3.8 secs car. Click here if it doesn't show up:


Popular posts from this blog

Dangerous Photography Jobs is taken from the above article, with permission:Photography can be a case of life or death. It may sound absurd, but professional photographers often go to great lengths and compromise their safety in order to get the perfect picture. Whether it’s a once-in-a-lifetime opportunity to photograph Mount Everest or a mission to cover the Iraq war, many photographers risk their lives just to do their job. Here are 10 dangerous photography jobs: Extreme Weather Photography
Extreme weather photographers aren’t storm chasers, but they do have an eye for photographing hurricanes, tornados, thunderstorms and other severe weather in their most vulnerable state. As you can imagine, this job is nothing short of extreme. Extreme weather photographers have to get close to the storm when everyone else is running from it, which puts them at risk for injuries and often death. BASE Jumping & Skydiving Photography

Bronx Shoes Billboard Shoot

If you're passing Gugulethu Taxi Rank's way, or JHB Taxi Rank, you will notice a 6x9m billboard with a Bronx ad on it. Above is the Gugs one  and the Jozi one.Now, if you've wondered what goes into shooting something like this, well here goes.Client: Bronx ShoesAgency: Traffic Integrated Marketing - Danie Nel Photography - and Design: Bianca at Traffic Integrated MarketingModel: Bobby Roache - Base Models - www.basemodelagency.comThe concept was of a guy sitting perched somewhere, so one can see a Afro-entric urban landscape in the background, dramatically lit. The product shots of shoes (I shot those later in studio) would then be dropped onto the image along with copy, logo's and catchline. Also, a JHB skyline, shot by another photographer, would be dropped into one of the shots for the JHB billboard.SO:First you quote and get approval and get that out of the way. Then you go for a recce mission to get a …

Wedding: A&D, Solms-Delta

It’s a real big kick for me if I get to shoot one of my commercial clients’ weddings, every time such an opportunity comes up. It has happened a number of times now, which I’m grateful for. Not only does it allow you into a very special and personal part of a client’s life, but also allows you to reward their loyalty and trust in you.

In this case, the client and I have been doing work together for 8 years, shooting PR and ad campaigns, and having a good relationship always. However, as much as I need to impress him, it is of no use if his bride-to-be does not approve. I’m very grateful that she did, and what an easy subject she turned out to be to boot!

Horses make up a big part of her life, so it was decided that she would enter the ceremony on a horse, so prior to the ceremony starting, I had a short while to familiarise myself with equestrian photography! As it was not her own horse either, she just needed a couple of minutes to whisper to it or whatever it is that horse-people d…