Skip to main content

Institute of Culinary Arts – Videos

Hylton 1

So the ICA (Institute of Culinary Arts) showed their wisdom and decided to update some of their marketing material to videos. Wise decision. Next wise decision? They got me in on it! Jokes aside, I’m really chuffed they did, and herewith are a 5 short videos I shot with them.

Things I learned on this job comes straight out of the kitchen. Working with Letitia Prinsloo, founder and principal of the ICA, reinforced the credo “When in doubt, throw it out”, a slogan I happen to have stuck on a piece of paper on my desk. Peter Templehoff also mentions this in his interview. Also, I realised that directing happens in edit as much as on set. Either way, we grafted for about 2 months on getting the final edits to the client’s liking, and I am pleased with the result.

We spent a day shooting at the ICA, and another day on the road shooting interviews all over Cape Town. Philip joined me for the first day of shooting, but I was running commando on the second day. Good fun.

ICA Short: Our Aim is Perfection

 

For those looking to have video done for their marketing exercises, I wish to give this advice. Please allow the director/videographer to sit with you and storyboard/plan the WHOLE video. Ad hoc can always be added on set, but shooting only ad hoc will make the video a nightmare to edit. In this regard, ICA was magic. I asked them for outlines and they came back with detailed shoot lists, scripts for all the interviews, shoot schedules and the like. This makes work so much easier and allows for more creativity on set, when you know what you have in the bag to start with.

ICA Short: Our Living Classroom

Also, allow your director/videographer some space to experiment. This is what we do for a living, and we are inclined to be more visually literate and educated than you might think. We work with an awareness of cheese-factors and trend-factors. Again, ICA was great with keeping their minds open to ideas.

ICA Short: Professional Chef’s Training

Another tip. Make sure you work in the vicinity of take away coffee or a coffee-shop.

ICA Short: The 4 P’s

Not all actors are created equal, and neither are all people as good at working of scripts as others. Sometimes it’s necessary for some just to wing the basic idea. It works for Robin Williams.

ICA Short: The Cutting Edge of Culinary Art

We decided to also create a full-length version of this video series, with a slightly calmer intro sequence. To keep the punch of the short film, we maintained a punchy short intro, creating the fun and  excitement of the chef’s industry, whereas as a whole, for dvd and full-length uses, we decided to create a intro more suitable for board-room viewing.

The short films work great for web as they all clock in around 2 minutes, whereas the full length is about 7 minutes, which is not optimal for web marketing, but great for presentation.

See below.

ICA Corporate Video

Anyways, I look forward to similar projects to these. Oh, while we were shooting the videos, I also managed to do some food-stills and portraits for them.

To see more of my videos, please visit my website: www.danienel.co.za .

Comments

Popular posts from this blog

Dangerous Photography Jobs

http://www.onlinecertificateprograms.org/blog/2010/10-dangerous-photography-jobs/This is taken from the above article, with permission:Photography can be a case of life or death. It may sound absurd, but professional photographers often go to great lengths and compromise their safety in order to get the perfect picture. Whether it’s a once-in-a-lifetime opportunity to photograph Mount Everest or a mission to cover the Iraq war, many photographers risk their lives just to do their job. Here are 10 dangerous photography jobs: Extreme Weather Photography
Extreme weather photographers aren’t storm chasers, but they do have an eye for photographing hurricanes, tornados, thunderstorms and other severe weather in their most vulnerable state. As you can imagine, this job is nothing short of extreme. Extreme weather photographers have to get close to the storm when everyone else is running from it, which puts them at risk for injuries and often death. BASE Jumping & Skydiving Photography
See…

Bronx Shoes Billboard Shoot

If you're passing Gugulethu Taxi Rank's way, or JHB Taxi Rank, you will notice a 6x9m billboard with a Bronx ad on it. Above is the Gugs one  and the Jozi one.Now, if you've wondered what goes into shooting something like this, well here goes.Client: Bronx ShoesAgency: Traffic Integrated Marketing - www.trafficintegrated.co.zaPhotography: Danie Nel Photography - www.danienel.co.zaPost and Design: Bianca at Traffic Integrated MarketingModel: Bobby Roache - Base Models - www.basemodelagency.comThe concept was of a guy sitting perched somewhere, so one can see a Afro-entric urban landscape in the background, dramatically lit. The product shots of shoes (I shot those later in studio) would then be dropped onto the image along with copy, logo's and catchline. Also, a JHB skyline, shot by another photographer, would be dropped into one of the shots for the JHB billboard.SO:First you quote and get approval and get that out of the way. Then you go for a recce mission to get a …

Ford Mustang GT shoot for Jack Daniels

A Mustang is a smoking hot guitar. Seriously, it’s even cooler up close, and way cooler once you start the engine. I’m not a petrol-head by a long shot, but I can appreciate a well-built and appealing car. And this car is appealing. And I shot it. I can add it to the Nissan GT-R, Audi R8, Aston Martin DBs, Jag XFR’s and a host more seriously sick cars I’ve had the privilege to shoot. The images are for Jack Daniels who is currently running a competition where you can win this desirable vehicle. So, I needed to make it look every bit as hot as it is. Also, the car will be presented in a very special way to the public, but I’m not sure if I’m at liberty to discuss that, so I’ll let you see the press for details. It helps a lot when you’re shooting these type of things in a proper studio, fitted with a revolve, huge curve and proper lighting. BTW – the lighting was a mix of HMI and red-heads, Kinoflow and a DIY kino-vibe things, standing around in the studio. Normally I work with flash, …